: the Politics and Aesthetics of Fear in the Aage of the Reign of Terror
First Statement of Responsibility
\ Joseph Crawford.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York; London
Name of Publisher, Distributor, etc.
: Bloomsbury Academic
Date of Publication, Distribution, etc.
, 2015
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xiv, 217 p.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Bibliography
Text of Note
Index
CONTENTS NOTE
Text of Note
Machine generated contents note: -- IntroductionChapter 1: Terror Before TerrorismChapter 2: The Reign of TerrorChapter 3: The Secret Masters Walk Amongst UsChapter 4: Popular Gothic Chapter 5: The Gothic LegacyEpilogue: The Wars on TerrorBibliographyIndex.
0
SUMMARY OR ABSTRACT
Text of Note
"This book examines the connections between the growth of'terror fiction' - the genre now known as 'Gothic' - in the late eighteenth century, and the simultaneous appearance of the conceptual origins of'terrorism' as a category of political action. In the 1790s, Crawford argues, four inter-connected bodies of writing arose in Britain: the historical mythology of the French Revolution, the political rhetoric of 'terrorism', the genre ofpolitical conspiracy theory, and the literary genre of Gothic fiction, known atthe time as 'terrorist novel writing'. All four bodies of writing drew heavily upon one another, in order to articulate their shared sense of the radical and monstrous otherness of the extremes of human evil, a sense which was quite newto the eighteenth century, but has remained central to the ways in which wehave thought and written about evil and violence ever since"--
TOPICAL NAME USED AS SUBJECT
Gothic fiction (Literary genre), English -- History and criticism.
English literature -- 18th century -- History and criticism.