Theology as performance: music, aesthetics, and God in western thought
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York
Name of Publisher, Distributor, etc.
T & T Clark International
GENERAL NOTES
Text of Note
Includes bibliographical references )p. 261-271( and index
NOTES PERTAINING TO TITLE AND STATEMENT OF RESPONSIBILITY
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Philip Stoltzfus
CONTENTS NOTE
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Prospects for a musical-aesthetic critique of modern theology -- Pythagoras and Orpheus as premodern theological resources -- Schleiermacher on music as the expression of feeling and mood -- Barth on music as timelessly valid form -- Wittgenstein on music as performance -- Theology as performance: assessment and application