: epiphany and representation in Graeco-Roman art, literature, and religion
First Statement of Responsibility
/ Verity Platt.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
; New York
Name of Publisher, Distributor, etc.
: Cambridge University Press
Date of Publication, Distribution, etc.
, 2011.
PROJECTED PUBLICATION DATE
Date
1112
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
482 p.
SERIES
Series Title
Greek culture in the Roman world
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Machine generated contents note: Introduction; Part I: 1. Framing epiphany in art and text; 2. Material epiphany: encountering the divine in cult images; 3. Epiphany and authority in Hellenistic Greece; 4. The poetics of epiphany in Hellenistic epigram; Part II: 5. Virtual visions: piety and paideia in Second Sophistic literature; 6. Dream visions and cult images in the Second Sophistic; 7. The apologetics of representation in Philostratus' Life of Apollonius of Tyana; Part III: 8. Dying to see: epiphany and representation on Roman sarcophagi.
8
SUMMARY OR ABSTRACT
Text of Note
"This is the first history of epiphany as both a phenomenon and a cultural discourse within the Graeco-Roman world. It explores divine manifestations and their representations not only in art but also in literary, historical and epigraphic accounts, and sets the cultural analysis of this unfamiliar conceptual phenomenon within a historical framework that explores its development from the archaic period to the Roman Empire. In particular, a surprisingly large number of the surviving images from antiquity are not only religious but epiphanically charged. Verity Platt argues that the enduring potential for divine incursions into mortal experience provides a reliable cognitive structure which supports both ancient religion and mythology. At the same time, Graeco-Roman culture exhibits a sophisticated awareness of the difficulties and ambiguities in apprehending deity and representing the divine presence, and of the potential for the manmade sign to lead the worshipper back to an unmediated epiphanic encounter"--