عنوان

Hearing the motet :

شابک

0198025742

شابک

1280472227

شابک

1423760352

شابک

661047222X

شابک

9780198025740

شابک

9781280472220

شابک

9781423760351

شابک

9786610472222

شابک اشتباه

0195097092

شابک اشتباه

0195129059

شابک اشتباه

9780195097092

شابک اشتباه

9780195129052

شماره

b788871

عنوان اصلي

Hearing the motet :

نام عام مواد

[Book]

ساير اطلاعات عنواني

essays on the motet of the Middle Ages and Renaissance /

نام نخستين پديدآور

edited by Dolores Pesce.

محل نشرو پخش و غیره

New York :

نام ناشر، پخش کننده و غيره

Oxford University Press,

تاریخ نشرو بخش و غیره

1997.

نام خاص و کميت اثر

1 online resource (xi, 380 pages) :

ساير جزييات

illustrations

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

The polyphonic progeny of an Et gaudebit: assessing family relations in the thirteenth-century motet / Rebecca A. Baltzer -- Beyond glossing: the old made new in Mout me fu grief/Robin m'aime/Portare / Dolores Pesce -- Which Vitry? the witness of the Trinity motet from the Roman de Fauvel / Anne Walters Robertson -- Polyphony of texts and music in the fourteenth-century motet: Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and its "quotations" / Margaret Bent -- Du Fay and the cultures of Renaissance Florence / Robert Nosow -- For whom the bell tolls: reading and hearing Busnoys's Anthoni usque limina / Rob C. Wegman -- Love and death in the fifteenth-century motet: a reading of Busnoys's Anima mea liquefacta est/Stirps Jesse / Paula Higgins -- Obrecht as exegete: reading Factor orbis as a Christmas sermon / M. Jennifer Bloxam -- Conflicting levels of meaning and understanding in Josquin's O admirabile commercium motet cycle / Richard Sherr -- Josquin, Good King René, and O bone et dulcissime Jesu / Patrick Macey -- Miracles, motivicity, and mannerism: Adrian Willaert's Videns Dominus flentes sorores Lazari and some aspects of motet composition in the 1520s / Joshua Rifkin -- Lasso as historicist: the cantus-firmus motets / James Haar -- Tonal compass in the motets of Orlando di Lasso / David Crook -- Palestrina as reader: motets from the Song of songs / Jessie Ann Owens -- On William Byrd's Emendemus in melius / Joseph Kerman -- Byrd, the Catholics, and the motet: the hearing reopened / Craig Monson.

بدون عنوان

0

متن يادداشت

Fresh, broad-ranging, and unique, Hearing the Motet makes indispensable reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods.

متن يادداشت

How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book also draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture - a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort.

متن يادداشت

The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds.

عنوان

Hearing the motet.

شماره استاندارد بين المللي کتاب و موسيقي

0195097092

موضوع مستند نشده

Motets-- 15th century, Congresses.

موضوع مستند نشده

Motets-- 16th century, Congresses.

موضوع مستند نشده

Motets-- 500-1400, Congresses.

موضوع مستند نشده

Arts de la Renaissance, Congrès.

موضوع مستند نشده

Arts médiévaux, Congrès.

موضوع مستند نشده

Motets-- Histoire et critique-- 15e siècle, Congrès.

موضوع مستند نشده

Motets-- Histoire et critique-- 16e siècle, Congrès.

موضوع مستند نشده

Motets-- Histoire et critique-- 500-1400, Congrès.

موضوع مستند نشده

Kongress

موضوع مستند نشده

Motets.

موضوع مستند نشده

Motette

موضوع مستند نشده

Motetten.

موضوع مستند نشده

MUSIC-- Instruction & Study-- Voice.

موضوع مستند نشده

MUSIC-- Printed Music-- Piano-Vocal-Guitar.

موضوع مستند نشده

AVJF

موضوع مستند نشده

MUS-- 037100

موضوع مستند نشده

MUS-- 042000

شماره

ويراست

شماره رده

نشانه اثر

شماره رده

کد سيستم

مستند نام اشخاص تاييد نشده

Pesce, Dolores.

تاريخ عمليات

20201207022143.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y