The Ottoman Empire, Southeastern European Literature, and Postcolonial Theory
[Article]
Eralda L. Lameborshi
Leiden
Brill
The Ottoman Empire shaped much of the Mediterranean world and yet, postcolonial scholarship has developed very few tools that engage with it as a pre-modern and pre-capitalist empire. Given its influence, it is necessary to understand the Ottoman Empire as a colonial force, especially in literatures that represent its reign. Southeastern European literature is ripe for such analysis as it seeks to understand the Ottoman legacy in Southeastern Europe, and to account for the ways in which the Ottoman Empire's imperial model created worlds within worlds, where regions not located in the imperial center were not peripheries but provincial centers. The works of Ivo Andrić, Ismail Kadare, and Meša Selimović fictionalize history in an attempt to show how history itself happens in these provincial centers. Audiences become aware of the Ottoman presence as a droning hum in the background with a lasting cultural, linguistic, and religious legacy. The Ottoman Empire shaped much of the Mediterranean world and yet, postcolonial scholarship has developed very few tools that engage with it as a pre-modern and pre-capitalist empire. Given its influence, it is necessary to understand the Ottoman Empire as a colonial force, especially in literatures that represent its reign. Southeastern European literature is ripe for such analysis as it seeks to understand the Ottoman legacy in Southeastern Europe, and to account for the ways in which the Ottoman Empire's imperial model created worlds within worlds, where regions not located in the imperial center were not peripheries but provincial centers. The works of Ivo Andrić, Ismail Kadare, and Meša Selimović fictionalize history in an attempt to show how history itself happens in these provincial centers. Audiences become aware of the Ottoman presence as a droning hum in the background with a lasting cultural, linguistic, and religious legacy.