Rewriting the Legacy of the Turkish Exile of Comparative Literature
[Article]
Firat Oruc
Leiden
Brill
Numerous critics have revisited the Turkish exile of "the founding fathers" of humanist philology, Erich Auerbach and Leo Spitzer, in the period between the rise of Nazism in Germany and the end of World War II. Yet these recuperative analyses have been centered on the role of the experience of cultural displacement in the intellectual transformation of the émigré scholars. By contrast, this article offers a critical analysis of how the Turkish end of humanism (especially in the case of Auerbach and Spitzer's students) was entangled with the politics of Kemalist cultural reforms. If comparative literature was "invented" during the Istanbul exile of Spitzer and Auerbach, this article re-writes this invention process by highlighting the semantic and ideological inflections it took in the hands of the Turkish humanists. Numerous critics have revisited the Turkish exile of "the founding fathers" of humanist philology, Erich Auerbach and Leo Spitzer, in the period between the rise of Nazism in Germany and the end of World War II. Yet these recuperative analyses have been centered on the role of the experience of cultural displacement in the intellectual transformation of the émigré scholars. By contrast, this article offers a critical analysis of how the Turkish end of humanism (especially in the case of Auerbach and Spitzer's students) was entangled with the politics of Kemalist cultural reforms. If comparative literature was "invented" during the Istanbul exile of Spitzer and Auerbach, this article re-writes this invention process by highlighting the semantic and ideological inflections it took in the hands of the Turkish humanists.