عنوان

Sonic warfare :

0262258838

0262266334

9780262258838

9780262266338

0262013479

0262517957

9780262013475

9780262517959

b794222

Sonic warfare :

[Book]

sound, affect, and the ecology of fear /

Steve Goodman.

Cambridge, Mass. :

MIT Press,

©2010.

1 online resource (xx, 270 pages)

Technologies of lived abstraction

Includes bibliographical references and index.

1998: A conceptual event -- 2001: What is sonic warfare? -- 2400-1400 B.C.: Project Jericho -- 1946: Sonic dominance -- 1933: Abusing the military-entertainment complex -- 403-221 B.C.: The logistics of deception -- 1944: The ghost army -- 1842: Sonic effects -- 1977: A sense of the future -- 1913: The art of war in the art of noise -- 1989: Apocalypse then -- 1738: Bad vibrations -- 1884: Dark precursor -- 1999: Vibrational anarchitecture -- 13.7 billion B.C.: The ontology of vibrational force -- 1931: Rhythmanalysis -- 1900: The vibrational nexus -- 1929: Throbs of experience -- 1677: Ecology of speeds -- 99-50 B.C.: Rhythm out of noise -- 1992: The throbbing crowd -- 1993: Vorticist rhythmachines -- 1946: Virtual vibrations -- 2012: Artificial acoustic agencies -- 1877: Capitalism and schizophonia 1-- 1976: Outbreak -- 1971: The earworm -- 2025: Déjà entendu -- 1985: Dub virology -- 1928: Contagious orality -- 2020: Planet of drums -- 2003: Contagious transmission -- 2039: Holosonic control -- Conclusion. Unsound : the (sub)politics of frequency.

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"Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations." "Most theoretical discussions of sound and music cultures in relationship to power, Goodman argues, have a missing dimension: the politics of frequency. Goodman supplies this by drawing a speculative diagram of sonic forces, investigating the deployment of sound systems in the modulation of affect. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture." "Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths."--Jacket.

MIL

MIT Press

OverDrive, Inc.

MIT Press

254179

7999

7D82F4D8-974C-4853-9D2F-52AF77E13140

9780262258838

Sonic warfare.

9780262013475

Music-- Acoustics and physics.

Music-- Philosophy and aesthetics.

Music-- Social aspects.

Acoustic Stimulation-- adverse effects.

Fear-- psychology.

Music-- psychology.

Sound-- adverse effects.

Akustik

Gesellschaft

Music-- Acoustics and physics.

MUSIC-- Instruction & Study-- Appreciation.

Music-- Philosophy and aesthetics.

Music-- Social aspects.

Musik

Musikästhetik

Musikphilosophie

pouvoir-- son.

son.

MUS-- 001000

s1et

s2mu

Goodman, Steve.

20201207072407.0

pn

[Book]

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