Includes bibliographical references (pages 241-253) and index.
1. Background to the veil: history, theory and culture -- 2. Imagining veiled woman -- 3. Revealing and re-veiling: Egypt -- 4. Piety and patriarchy: the Arabian Peninsular and the Eastern Mediterranean -- 5. Violence, liberation and resistance: North Africa -- 6. Subversion, seduction and shame: India -- 7. Conclusion: liberating the veil.
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Western feminists have in the past singled out the veiling of women as a potent symbol of women's oppression under Islam. Daphne Grace explores the far more complex and contested role of veiling over the last 120 years. Looking at the ways in which the veil is used in literature, and its representations in writing from the East and the West, she shows how veiling has come to stand for both oppression and resistance. Grace asks why, at the start of the new millennium, veiling seems more popular than ever - and explores what veiling means for the women themselves. Chapters are arranged geographically and chronologically, beginning with the 'imperial gaze' of Victorian England, moving to the Arab Islamic world of the Middle East and the Maghreb and finally to India, in the process exploring the nationalist, religious, political and cultural meanings of the veil in its many manifestations, then and now.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
JSTOR
22573/ctt184pvd6
Woman in the muslin mask.
9780745320052
Literature, Modern-- 20th century-- History and criticism.
Muslim women in literature.
Postcolonialism in literature.
Veils in literature.
LITERARY CRITICISM-- General.
Literature, Modern.
Muslim women in literature.
Muslimin
POLITICAL SCIENCE-- Political Ideologies-- Democracy.