Between the phobic object and the dissident subject: abjection and vampirism in Luis Buñuel's Viridiana / Julián Daniel Gutiérrez-Albilla -- Costume, identity and spectator pleasure in historical films of the early Franco period / Jo Labanyi -- Masculinity, monuments, and movement: gender and the city of Madrid in Pedro Almodóvar's Carne trémula (1997) / Steven Marsh -- Madness, queenship, and womanhood in Orduña's Locura de amor (1948) and Aranda's Juana la loca (2001) / Celia Martín Pérez -- New sexual politics in the cinema of the transition to democracy: de la Iglesia's El diputado (1978) / Alejandro Melero Salvador -- Borderline men: gender, place, and power in representations of Moroccans in recent Spanish cinema / Parvati Nair -- A psychoanalysis of La mujer más fea del mundo (1999) / Eva Parrondo Coppel -- Gender and Spanish horror film / Tatjana Pavlovic -- Heterosexuality in Segunda piel (Gerardo Vera, 2000) and Sobreviviré (Alfonso Albacete and David Menkes, 1999): strong women, or, the same old story? / Chris Perriam --!Victoria? a modern Magdalene / Rob Stone -- Theatricality, melodrama, and stardom in El último cuplé / Kathleen M. Vernon -- Radio Free Folklóricas: cultural, gender, and spatial hierarchies in Torbellino (1941) / Eva Woods.
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What does the portrayal of gender in film reveal about Spanish society? To what extent and in what ways does cinema contribute to constructions of national and regional identity? How does gender interact with ethnicity, class, politics and history?Ge nder and Spanish Cinema addresses these questions and more in its examination of twentieth-century film. Defining 'gender' in its broadest sense, the authors discuss topics such as body, performance, desire and fantasy. Gender is not considered in is olation, but is discussed in relation to nationalism, race, memory, psychoanalyisis and historical.
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