Includes bibliographical references (pages 221-240) and index.
France -- Britain -- Japan -- United States -- Canada.
0
In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermat.
JSTOR
22573/ctt271ht0
Shocking representation.
0231132476
Horror films-- History and criticism.
Motion pictures and history.
Film.
Horror films.
Motion pictures and history.
Music, Dance, Drama & Film.
PERFORMING ARTS-- Film & Video-- History & Criticism.