Includes bibliographical references (pages 214-222) and index.
Introduction: Master-slave relations, master-slave pacts -- 1. Capitalists, castrators and criminals: violent masters and slaves in Wilkie Collins' The woman in white -- 2. 'Servants' logic' and analytical chemistry: intellectual masters and servants in George Eliot and Charles Dickens -- 3. Slaveholders and democrats: combined masters and slaves in Thomas Carlyle, Charles Dickens' American notes and Frederick Douglass's Narrative -- 4. Heroes, hero-worshippers and Jews: music masters, slaves and servants in Thomas Carlyle, Richard Wagner, George Eliot and George Du Maurier -- 5. Stump orators, phantasm captains and mutual recognition: popular masters and masterlessness in Dickens' Hard times and Thomas Carlyle's 'Stump-orator' -- Afterword: After slavery, after shooting Niagara.
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Starting with Hegel's thoughts on hierarchical relations, Taylor (English, Loughborough U., Britain) explores literary representations of master-slave and master-servant relationships in works by Thomas Carlyle and others. He takes such relationships by type: violent, intellectual, combined, music, and popular. Other authors he considers are Wilkie Collins, George Eliot, Charles Dickens, Frederick Douglass, Richard Wagner. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
English fiction-- 19th century-- History and criticism.
English prose literature-- 19th century-- History and criticism.