edited by Jaqueline Berndt and Bettina Kümmerling-Meibauer.
London :
Routledge/Taylor & Francis Group,
2013.
xii, 270 pages :
illustrations ;
24 cm.
Routledge advances in art and visual studies ;
5
Includes bibliographical references and index.
Crosscultural Perspectives on Manga. The view from North America : manga as late-twentieth-century Japonisme? / Frederik L. Schodt -- Manga as schism : Kitazawa Rakuten's resistance to "old-fashioned" Japan / Ronald Stewart -- Tatsumi Yoshihiro's Gekiga and the global sixties : aspiring for an alternative / Shige (CJ) Suzuki -- The intercultural challenge of the "mangaesque" : reorienting manga studies after 3/11 / Jaqueline Berndt -- Manhwa in Korea : (re-)nationalizing comics culture / Yamanaka Chie -- Manga/comics hybrids in picturebooks / Bettina Kümmerling-Meibauer -- Tentacles, Lolitas, and pencil strokes : the parodist body in European and Japanese erotic comics / Elisabeth Klar -- Social networking services as platforms for transcultural fannish interactions : DeviantART and Pixiv / Nele Noppe -- "Naruto" as Cultural Crossroads. "Naruto" as a typical weekly magazine manga / Omote Tomoyuki -- Women in "Naruto", women reading "Naruto" / Fujimoto Yukari -- Fanboys and "Naruto" epics : exploring new ground in fanfiction studies / Jessica Bauwens-Sugimoto and Nora Renka -- The traditional Naruto (Maelstrom) motif in Japanese culture / Franziska Ehmcke -- Auteur and anime as seen in the Naruto TV series : an intercultural dialogue between film studies and anime research / Gan Sheuo Hui -- Playing "Naruto" : between metanarrative characters, unit operations, and objects / Martin Roth.
0
"Focusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga's culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes "manga culture" in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO"--Provided by publisher.
Kishimoto, Masashi,1974-Narutoserien.
Arts and globalization-- History-- 20th century.
Arts and society-- History-- 20th century.
Comic books, strips, etc.-- Japan-- History and criticism.