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عنوان
Expressive forms in Brahms's instrumental music :

پدید آورنده
Peter H. Smith.

موضوع
Brahms, Johannes,1833-1897-- Criticism and interpretation.,Brahms, Johannes,1833-1897., Quartets,piano, violin, viola, cello,no. 3, op. 60,C minor.,Brahms, Johannes,1833-1897-- Critique et interprétation.,Brahms, Johannes,1833-1897, Quatuors,piano, cordes,no 3, op. 60,do mineur.,Brahms, Johannes, 1833-1897,Brahms, Johannes, 1833-1897, Quartette, Violine, Viola, Violoncello, Klavier, Nr. 3, op. 60, c-Moll,Brahms, Johannes,1833-1897.,Brahms, Johannes.,Brahms, Johannes., Quartett, Violine Viola Violoncello Klavier op. 60.,Quartets (Brahms, Johannes),Instrumentalmusik,MUSIC-- Instruction & Study-- Theory.

رده
MT145
.
B72
S65
2005eb

کتابخانه
کتابخانه مطالعات اسلامی به زبان های اروپایی

محل استقرار
استان: قم ـ شهر: قم

کتابخانه مطالعات اسلامی به زبان های اروپایی

تماس با کتابخانه : 32910706-025

0253023556
9780253023551
0253344832
9780253344830

Expressive forms in Brahms's instrumental music :
[Book]
structure and meaning in his Werther quartet /
Peter H. Smith.

Bloomington :
Indiana University Press,
©2005.

1 online resource (ix, 325 pages) :
illustrations.

Musical meaning and interpretation

Includes bibliographical references (pages 309-318) and indexes.

Quintessential Brahms and the paradox of the C-minor piano quartet : a representative yet exceptional work -- Analytical preliminaries : Brahms's sonata forms and the idea of dimensional counterpoint -- A Schoenbergian perspective : compositional economy, developing recapitulation, and large-scale form -- Brahms and Schenker : a mutual response to sonata form -- Brahms's expository strategies : two-part second groups, three-key expositions, and modal shifts -- Toward an expressive interpretation : correlations for suicidal despair -- Intertextual resonances : tragic expression, dimensional counterpoint, and the great C-minor tradition.
0

"Johannes Brahms's dramatic Piano Quartet in C Minor, Opus 60, famously known as the Werther Quartet, forms the basis for Peter H. Smith's illuminating theoretical study. Throughout the book, Smith synthesizes the often-opposed approaches of Schenker and Schoenberg, discussing the interaction of different parameters (rhythm, form, key centers, etc.) in a "dimensional counterpoint," and addressing issues of expression in music - particularly those of tragedy and transcendence. Smith then extends his analysis beyond the isolated work, connecting the composer's approach in this piano quartet to comparable works by Brahms, and broadening the analysis to works of Beethoven and Mozart.
The result is an elucidating and original interpretation of the music of a celebrated composer, and a significant addition to studies in music theory."--Jacket.

JSTOR
22573/ctt1d27r92

Expressive forms in Brahms's instrumental music.
0253344832

Brahms, Johannes,1833-1897-- Criticism and interpretation.
Brahms, Johannes,1833-1897., Quartets,piano, violin, viola, cello,no. 3, op. 60,C minor.
Brahms, Johannes,1833-1897-- Critique et interprétation.
Brahms, Johannes,1833-1897, Quatuors,piano, cordes,no 3, op. 60,do mineur.
Brahms, Johannes, 1833-1897
Brahms, Johannes, 1833-1897, Quartette, Violine, Viola, Violoncello, Klavier, Nr. 3, op. 60, c-Moll
Brahms, Johannes,1833-1897.
Brahms, Johannes.
Brahms, Johannes., Quartett, Violine Viola Violoncello Klavier op. 60.

Quartets (Brahms, Johannes)

Instrumentalmusik
MUSIC-- Instruction & Study-- Theory.

MUS020000
MUS041000

785/
.
28194
22

MT145
.
B72
S65
2005eb

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Smith, Peter Howard.

20200822104507.0
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 مطالعه متن کتاب 

[Book]

Y

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