Race and the revolutionary impulse in The Spook Who Sat by the Door /
[Book]
edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto.
Bloomington, Indiana :
Indiana University Press,
[2018]
1 online resource
Studies in the Cinema of the Black Diaspora
Includes bibliographical references and index.
Includes Filmography: pages 216-217.
Introduction: The spook who sat by the door / Michael T. Martin and David Wall -- Writer/producer's statement: the making of The spook who sat by the door / Sam Greenlee -- "[D]uality is a survival tool. it's not a disease": interview with Sam Greenlee on The spook who sat by the door / Michael T. Martin and David C. Wall -- Cinema as political activism: contemporary meanings in The spook who sat by the door -- Marilyn Yaquinto -- Persistently displaced: situated knowledges and interrelated histories in The spook who sat by the door / Samantha N. Sheppard -- Subverting the system: the politics and production of The spook who sat by the door / Christine Acham -- The spook who sat by the door, screenplay / Sam Greenlee and Melvin Clay.
0
OverDrive, Inc.
JSTOR
0437A1E6-E1BA-4605-9109-289B38034E17
22573/ctt21zz5jt
Race and the revolutionary impulse in The spook who sat by the door.
9780253031754
Spook who sat by the door (Motion picture)
African Americans in motion pictures.
Race relations in motion pictures.
Racism in motion pictures.
African Americans in motion pictures.
PERFORMING ARTS-- Film & Video-- History & Criticism.