crime, consumption, and citizenship in Côte d'Ivoire /
Sasha Newell.
Chicago :
The University of Chicago Press,
2012.
1 online resource
Includes bibliographical references and index.
Introduction -- Enregistering modernity, bluffing criminality : how nouchi speech reinvented the nation -- Bizness and "blood brothers" : the moral economy of crime -- Faire le show : maquis masculinity and the performative success of waste -- Fashioning alterity : masking, metonymy, and otherworld origins -- Paris is hard like a rock : migration and the spatial hierarchy of global relations -- Counterfeit belongings : branding the Ivoirian political crisis -- Conclusion : modernity as bluff.
0
In Côte d'Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth in a fantastic display of Western imitation, spending far more than they can afford on brand name clothing, accessories, technology, and a robust nightlife. Such imitation, however, is not primarily meant to deceive--rather, as Sasha Newell argues in The Modernity Bluff, it is an explicit performance so valued in Côte d'Ivoire it has become a matter of national pride. Called bluffeurs, these young urban men operate in a system of cultural eco.