Frontcover; Contents; General Introduction to the English Edition; Acknowledgements; Reader's Guide; Directionality in Vienna (True and Perceived); Heft 1. (ca. February 26, 1818 -- after March 2, 1818); Heft 2. (March 17, 1819 -- after May 15/16, 1819); Heft 3. (November 20, 1819 -- ca. December 6, 1819); Heft 4. (December 7, 1819 -- December 12, 1819); Heft 5. (December 13, 1819 -- December 30, 1819); Heft 6. (ca. January 7, 1820 -- January 26, 1820); Heft 7. (ca. January 27, 1820 -- February 22, 1820); Heft 8. (ca. February 22, 1820 -- ca. March 11, 1820).
Appendix: Descriptions of the Conversation Books in Volume 1Bibliography; Index of Writers of Conversational Entries; Index of Beethoven's Compositions; General Index.
0
8
Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer had begun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition. 00Theodore Albrecht is Professor of Musicology at Kent State University, Ohio.
JSTOR
22573/ctt1wwtg2f
Beethoven's conversation books: Volume 1: nos. 1 to 8 (February 1818 to March 1820).