Returning to Hankey : Sarah Baartman and endless repatriations -- "Force refigured as consent" : the strange case of Tryntjie of Madagascar -- Performing debility : Joice Heth and Miss Landmine Angola -- Slow death : "Indian" performances of indenture and slavery -- Becoming undone : performances of vulnerability.
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Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive, showing that alternative critical imaginings juxtaposed against traditional historical research can help to locate where agency and will may reside.