عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
TL49076
انگلیسی
Art and patronage in the Middle East: The United Arab Emirates
[Thesis]
Mert Kaymakci
Degen, Natasha
Sotheby's Institute of Art - New York
2016
71
Place of publication: United States, Ann Arbor; ISBN=978-1-369-33733-4
M.A.
Art Business
Sotheby's Institute of Art - New York
2016
The United Arab Emirates is aiming to become a hub for art production by developing
numerous artists' studios and residencies, a major sales arena with galleries, auction
houses and art fairs and becoming an alternative destination for established museums and
art institutions. This thesis will investigate the development of the United Arab Emirates
art market in relation to contributions by art patrons. It will focus on patrons and their
investments in art infrastructure projects: either by starting art organizations to support
artists or creating major art collections on a museum scale representing different Middle
Eastern nationalities. In doing so, these patrons are trying to change how the Middle East
is perceived globally. Without these art patrons, could the United Arab Emirates art
market function? Could the United Arab Emirates have an emerging art market supported
by its collector base alone? This thesis will investigate why major art collectors in the
region, acting as patrons, are investing in art infrastructure projects rather than just
expanding their collections and explain why the contributions of these patrons are
shaping the art eco-system in the United Arab Emirates.
numerous artists' studios and residencies, a major sales arena with galleries, auction
houses and art fairs and becoming an alternative destination for established museums and
art institutions. This thesis will investigate the development of the United Arab Emirates
art market in relation to contributions by art patrons. It will focus on patrons and their
investments in art infrastructure projects: either by starting art organizations to support
artists or creating major art collections on a museum scale representing different Middle
Eastern nationalities. In doing so, these patrons are trying to change how the Middle East
is perceived globally. Without these art patrons, could the United Arab Emirates art
market function? Could the United Arab Emirates have an emerging art market supported
by its collector base alone? This thesis will investigate why major art collectors in the
region, acting as patrons, are investing in art infrastructure projects rather than just
expanding their collections and explain why the contributions of these patrons are
shaping the art eco-system in the United Arab Emirates.
Art Criticism; Middle Eastern Studies
Social sciences;Communication and the arts;Abu Dhabi;Art collectors;Art infrastructure;Dubai;Patronage;United Arab Emirates
Reeves, James Bryant
Degen, Natasha
Art Business
Sotheby's Institute of Art - New York
1848288669; 10187637
مطالعه متن کتاب p
[Thesis]
276903
a
Y
