عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
TL47976
انگلیسی
Pathways to God: The Islamic Acoustics of Turkish Berlin
[Thesis]
Peter McMurray
Kaufman Shelemay, Kay
Harvard University
2014
445
Committee members: Kafadar, Cemal; Wolf, Richard
Place of publication: United States, Ann Arbor; ISBN=978-1-321-33505-7
Ph.D.
Music
Harvard University
2014
In fall of 1961, the Berlin Wall was erected and West Germany, the Bundesrepublik, initiated a guest worker program with Turkey. These two events would dramatically reshape Berlin, as many immigrants settled just west of the Berlin Wall-especially in the boroughs of Wedding, Kreuzberg, and Neukölln-transforming, augmenting, and adapting to local cultural life. Among these transformations, new sonic cultures emerged, with Islam, in all its diversity, playing a crucial role in that process. The Islamic acoustics that continues to thrive today in Berlin raises significant questions about the nature of sound in Islamic practice: How does Islam sound? In what ways does sound articulate and generate difference both between Muslims and non-Muslims, but also among different Muslim communities? How can an acoustics of Islam help elucidate the workings of a metropolis like Berlin, and vice-versa? Turning to Islamic thought as a theoretical framework, I consider how indigenous notions of pathways enunciate these sonic processes and their material manifestations. After sketching a brief sonic history of Turkish Berlin, I attempt to sonically map some of these Islamic pathways through the city. Charting a route through these major diasporic neighborhoods, I focus on a single religious community, or pathway, in each chapter, along with a particular material aspect of sound as a sacred articulation of difference. I begin with an exploration of the voice in Cerrahi Sufi zikr ceremonies in Wedding, where reciting God's names becomes an act of tasting (Chapter 1). Then in Kreuzberg, I consider the relationship of bodies (especially fingers) and instruments through the Alevi bağlam a, a musical instrument called 'the stringed Qur'an' (Chapter 2). I continue to expand outward in the following two chapters, which examine mosques in Neukölln as sonic spaces: first, the interiors of a Caferi Shi`i mosque as they commemorate the deaths of martyrs; then, the exterior courtyard space of the Sunni Şehitlik mosque and cemetery. I conclude with a media archaeology of angels and a brief meditation on Islamic teachings about God's hearing, both of which suggest ways a more attentive listening to Islam might expand our conceptions of sound.
Religious history; Middle Eastern history; European history; Music; European Studies; Islamic Studies
Philosophy, religion and theology;Social sciences;Communication and the arts
Thomas, Samuel R.
Kaufman Shelemay, Kay
Music
Harvard University
1625423057; 3645030
مطالعه متن کتاب p
[Thesis]
276903
a
Y
