edited by Audrey Yue, the University of Melbourne, Australia, and Olivia Khoo, Monash University, Australia.
Houndmills, Basingstoke, Hampshire ; New York, NY
Palgrave Macmillan
2014
Foreword: The Sinophone Redistribution of the Audible; Shih Shu-mei --;Acknowledgments --;Notes on Chinese names and film titles --;PART I: THEORISING SINOPHONE CINEMAS --;1. Framing Sinophone Cinemas; Audrey Yue and Olivia Khoo --;2. Genealogies of Four Critical Paradigms in Chinese-Language Film Studies; Sheldon Lu --;3. Alter-centering Sinophone Cinema; Yiman Wang --;4. Festivals, Censorship and the Canon: the Makings of Sinophone Cinemas; Yifen T. Beus --;5. The Voice of the Sinophone; Song Hwee Lim --;6. The Sounds of Language: Tan Pin Pin's Sinophone Cinema; Olivia Khoo --;PART II: CONTEMPORARY SINOPHONE CINEMAS --;7. Mandarin Pop Meets Tokyo Jazz: Gender and Popular Youth Culture in Late 1960s Hong Kong Musicals; Jennifer Feeley --;8. Sinophone Libidinal Economy in the Age of Neoliberalisation and Mainlandisation: Masculinities in Hong Kong SAR New Wave Cinema; Mirana M. Szeto --;9. 'Singlish' and the Sinophone: Nonstandard (Chinese/English) Languages in Recent Singaporean cinema; Alison M. Groppe --;10. British Chinese Short Films: Challenging the Limits of the Sinophone; Felicia Chan and Andy Willis --;11. Contemporary Sinophone Cinema: Australia-China Co-Productions; Audrey Yue.
Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. It showcases new screen cultures from Britain, Hong Kong, Taiwan, Singapore and Australia.
Motion picture producers and directors -- China.
Motion pictures -- China.
Motion pictures, Chinese.
PN1993
.
5
.
C4
E358
2014
edited by Audrey Yue, the University of Melbourne, Australia, and Olivia Khoo, Monash University, Australia.