edited by George Rodosthenous, University of Leeds, UK.
Houndmills, Basingstoke, Hampshire
Palgrave Macmillan
2015
1 ressource en ligne (230 pages)
Introduction: Staring at the Forbidden: Legitimising Voyeurism; George Rodosthenous --;PART I: VOYEURISM AND DIRECTING THE GAZE --;1. Always Looking Back at the Voyeur: Jan Fabre's Extreme Acts on Stage; Laurens de Vos --;2. The Dramaturgies of the Gaze: Strategies of Vision and Optical Revelations in the Theatre of Romeo Castellucci and the Soc︡etas Raffaello Sanzio; Eleni Papalexiou --;PART II: VOYEURISM IN SPACE --;3. Intimacy, Immersion and the Desire to Touch: The Voyeur Within; David Shearing --;4. In Between the Visible and the Hidden: Modalities of Seeing in Site-specific Performance; William McEvoy --;PART III: VOYEURISM AND ACTS OF WATCHING --;5. The Pleasure of Looking Behind Curtains: Naked Bodies from Titian to Fabre and LeRoy; Luk Van Den Dries --;6. Baring All on Stage: Active Encounters with Voyeurism, Performance Aesthetics and 'Absorbed Acts of Seeing'; Fiona Bannon --;PART IV: VOYEURISM AND EXHIBITING THE BODY --;7. Thinking critical/Looking Sexy: a naked white male body in performance; Dani︠l Ploeger --;8. Viewing the Pornographic Theatre: Explicit Voyeurism, Artaud, and Ann Liv Young's Cinderella; Aaron C. Thomas --;PART V: VOYEURISM AND NAKED BODIES --;9. 'Music for the eyes' in Hair: Tracing the history of the naked singing body on stage; Tim Stephenson --;10. Outlying Islands as theatre of voyeurism: Ornithologists, naked bodies and the 'pleasure of peeping'; George Rodosthenous.
Palgrave Theatre & Performance.
Théâtre -- Publics -- Psychologie.
Voyeurisme.
PN1590
.
A9
E358
2015
edited by George Rodosthenous, University of Leeds, UK.