adaptation and other futures of Shakespeare's language
Simon Ryle, Assistant Professor in Early Modern Literature, Film, and Critical Theory, University of Split, Croatia.
Houndmills, Basingstoke, Hampshire ; New York
Palgrave Macmillan
2014
(xii, 253 pages)
Introduction: Shakespeare, cinema and desire --;Something from nothing: King Lear and film space --;Body space: the sublime Cleopatra --;Ghost time: unfolding Hamlet --;Re-nascences: The Tempest and new media.
Shakespeare, Cinema and Desire explores the desires and the futures of Shakespeare's language and cinematographic adaptations of Shakespeare. Tracing ways that film offers us a rich new understanding of Shakespeare, it highlights issues such as media technology, mourning, loss, the voice, narrative territories and flows, sexuality and gender.
Desire in literature.
Shakespeare, William, -- 1564-1616 -- Film adaptations.
Shakespeare, William, -- 1564-1616 -- Language.
PR3093
.
S566
2014
Simon Ryle, Assistant Professor in Early Modern Literature, Film, and Critical Theory, University of Split, Croatia.