The work of art in the age of its technological reproducibility, and other writings on media /
[Book]
Walter Benjamin ; edited by Michael W. Jennings, Brigid Doherty, and Thomas Y. Levin
Cambridge, Mass. :
Belknap Press of Harvard University Press,
2008
vi, 426 pages :
illustrations ;
24 cm
Includes bibliographical references and index
I. The production, reproduction, and reception of the work of art -- The work of art in the age of its technological reproducibility: second version -- Theory of distraction -- To the planetarium -- Garlanded entrance -- The rigorous study of art -- Imperial panorama -- The telephone -- The author as producer -- Paris, the capital of the nineteenth century -- Eduard Fuchs, collector and historian -- Review of Sternberger's panorama -- II. Script, image, script-image -- Attested auditor of books -- These surfaces for rent -- The Antinomies of allegorical exegesis -- The ruin -- Dismemberment of language -- Graphology old and new -- III. Painting and graphics -- Painting and the graphic arts -- On painting, or sign and mark -- A glimpse into the world of children's books -- Dream kitsch -- Moonlit nights on the Rue La Boétie -- Chambermaids' romances of the past century -- Antoine Wiertz: thoughts and visions of a severed head -- Some remarks on folk art -- Chinese paintings at the Bibliothèque Nationale -- IV. Photography -- News about flowers -- Little history of photography -- Letter from Paris (2): painting and photography -- Review of Freund's photographie en France au dix-neuvième siècle -- V. Film -- On the present situation of Russian film -- Reply to Oscar A. H. Schmitz -- Chaplin -- Chaplin in retrospect -- Mickey Mouse -- The formula in which the dialectical structure of film finds expression -- VI. The publishing industry and radio -- Journalism -- A critique of the publishing industry -- The newspaper -- Karl Kraus -- Reflections on radio -- Theater and radio -- Conversation with Ernst Schoen -- Two types of popularity: fundamental reflections on a radio play -- On the minute
2
Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.