Queer Postcolonial Narratives and the Ethics of Witnessing /
[Book]
Donna McCormack.
ix, 228 pages ;
24 cm
Includes bibliographical references and index.
Acknowledgements -- Introduction: Embodied Memories -- Chapter One: Intergenerational Witnessing in Shani Mootoo's Cereus Blooms at Night -- Chapter Two: Monstrous Witnessing in Tahar Ben Jelloun's L'Enfant de sable -- Coda: Eyes at the Tips of the Fingers: Materializing the Self in Tahar Ben Jelloun's La Nuit sacrée -- Chapter Three: Fossil Witnessing in Ann-Marie MacDonald's Fall on Your Knees -- Conclusion: Embodying other stories -- Bibliography -- Index.
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"Queer Postcolonial Narratives and the Ethics of Witnessing is a critically engaged exploration of power and its relation to ethics and bodies. By revisiting and revising Judith Butler's and Homi Bhabha's queer and postcolonial theories of literary performance, McCormack expands current understandings of the performative workings of power through an embodied, multisensory ethics. That remembering is an embodied act which necessitates an undoing of one's sense of self captures how colonial and familial histories silenced by hegemonic structures may only emerge through opaque bodily sensations. These non-institutionalised forms of witnessing serve both to reconfigure theories of performativity, by re-situating the act of witnessing as integral to the workings of power, and to interrogate the current emphasis on speech in trauma studies, by analysing the multifarious, communal and public ways in which memories emerge. In Queer Postcolonial Narratives and the Ethics of Witnessing the body is reinstated as central to both the workings of and the challenges to colonial discourses"--