edited by Camille R. La Bossière and Linda M. Morra.
Ottawa :
University of Ottawa Press,
c2001.
vi, 178 p. ;
23 cm.
Reappraisals, Canadian writers
Includes bibliographical references.
Introduction: Davies Tristram-gistus / Camille R. La Bossière -- The concert of his life: perspectives on the masks of Robertson Davies / Michael Peterman -- "A hint of the basic brimstone": the humour of Robertson Davies / Faith Balisch -- Undermining comedy: shadows of determinism in the Salterton novels / David Creelman -- Magic in the web: Robertson Davies and Shamanstvo / Todd Pettigrew -- The leaven of wine and spirits in the fiction of Robertson Davies / K.P. Stich -- Metadrama and melodrama: postmodern elements in the plays of Robertson Davies / Lois Sherlow -- "Where there's a will, there are always two ways": doubling in World of wonders / Mark Silverberg -- Authentic forgeries: hermeneutics, artifice, and authenticity in Robertson Davies' What's bred in the bone / David Hallett -- The myth and magic of a textual truth and/or a metaphorical reading of The Deptford trilogy / Tatjana Takseva Chorney -- "Converting the clerisy": quest/ioning, contradictions, and ethics in The Cornish triptych / Andrea C. Cole -- "Medical consultation" for Murther and walking spirits and The cunning man / Rick Davis and Peter Brigg.
0
"This collective assessment of the achievement of Robertson Davies addresses the basic problems in reading his artfulness, as a moralist committed to the practices of doubling, disguise, irony and paradox, and dwelling in "gaps" or spaces "in between." The essays present new insights on a broad range of topics of Davies' oeuvre and represent one of the first major discussions devoted to Davies' work since his death in 1995."--BOOK JACKET.
Robertson Davies.
Davies, Robertson,1913-1995-- Criticism and interpretation.