Cover Half Title Title Page Copyright Page Original Title Page Dedication Table of Contents Foreword Preface Part One The Problem In Taine I. Science Versus Criticism? II. Formation of a Method (1828-1852) Part Two Analysis And Criticism III. Analysis and Synthesis IV. Critique of Abstraction V. History and Psychology VI. Nature and Conditions of Art VII. Biological Conditions: Race and Geography VIII. Cultural Factors: Environment and Time IX. The Psychological Core: Master Faculty X. Problems of Analysis and Criticism. Part Three Science And Aesthetic Judgment XI. Problems of Type Analysis XII. From Analysis to Judgment XIII. Critique of Aesthetic Judgment XIV. Our Heritage from Taine page Appendices A. Taine's Student Correspondence and Notebooks B. The Question of Taine's 'Positivism' C. Type Analysis in the Sciences D. Bosanquet's Hegelian Analysis of 'The Concrete Universal' E. Scales of Value in The Ideal in Art (diagrams) F. Taine's Criteria Applied to Modern Abstract Art G. Taine and the Naturalist Tradition Bibliography. A. Selected Bibliography of Taine's Works, with Biographical Notes B. Secondary Works Cited Index.