عنوان

Musical theory in the Renaissance

1315090686

1351556827

1351556843

9781315090689

9781351556828

9781351556842

b383503

Musical theory in the Renaissance

[Book]

edited by Cristle Collins Judd, Bowdoin College, USA.

London

Routledge, Taylor & Francis Group,

2016.

illustrations.

Library of essays on Renaissance music.

Part PART I TERMS AND TOPICS -- chapter 1 Margaret Bent (1983), 'Resfacta and Cantare Super Librum', Journal of the American Musicological Society, 36, ppages 371{u2013}91. -- chapter 2 Bonnie J. Blackburn (1987), 'On Compositional Process in the Fifteenth Century', Journal of the American Musicological Society, 40, ppages 210{u2013}84. -- chapter 3 Ruth I. DeFord (2005), 'On Diminution and Proportion in Fifteenth-Century Music Theory', Journal of the American Musicological Society, 58, ppages 1{u2013}67. -- chapter 4 Harold Powers (1992), 'Is Mode Real? Pietro Aron, the Octenary System, and Polyphony', Basler Jahrbuch für historische Musikpraxis, 16, ppages 9{u2013}52. -- chapter 5 Cristle Collins Judd (2002), 'Renaissance Modal Theory: Theoretical, Compositional, and Editorial Perspectives', in Thomas Christensen (ed.), Cambridge History of Western Music Theory, Cambridge: Cambridge University Press, ppages 364{u2013}106. -- part PART II INFLUENCES AND AUTHORITIES -- chapter 6 Ronald Woodley (1987), 'Renaissance Music Theory as Literature: On Reading the Proportionale Musices of Iohannes Tinctoris', Renaissance Studies, 1, ppages 209{u2013}20. -- chapter 7 Claude V. Palisca (1994), 'Aristoxenus Redeemed in the Renaissance', in Studies in the History of Italian Music Theory, Oxford: Clarendon Press, ppages 189{u2013}99. -- chapter 8 Gary Tomlinson (1993), 'Modes and Planetary Song: The Musical Alliance of Ethics and Cosmology', in Music in Renaissance Magic: Towards a Historiography of Others, Chicago: University of Chicago Press, ppages 67{u2013}100. -- chapter 9 Sarah Fuller (1996), 'Defending the Dodecachordon: Ideological Currents in Glarean's Modal Theory', Journal of the American Musicological Society, 49, ppages 191{u2013}224. -- chapter 10 Inga Mai Groote (2008), 'Heinrich Glarean Reading and Editing Boethius', Acta Musicologica, 80, ppages 215{u2013}30. -- part PART III LIFE AND WORKS OF INDIVIDUAL THEORISTS -- chapter 11 Paolo da Col (1999), 'The Tradition and Science: The Istitutioni harmoniche of Gioseffo Zarlino', Introduction to the Facsimile Edition of Gioseffo Zarlino, Le istitutioni harmonice (Venezia, 1561)', Bibliotheca Musica Bononiensis II, 39, Bologna: Arnaldo Forni, ppages 35{u2013}55. -- chapter 12 Maria R. Maniates (1996), 'Introduction', in Nicola Vicentino, Maria R. Maniates (trans.) and Claude V. Palisca (ed.), Ancient Music Adapted to Modern Practice, New Haven: Yale University Press, ppages xi{u2013}lxiii. -- part PART IV NATIONAL TRADITIONS AND DISSEMINATION -- chapter 13 Dinko Fabris (1997), 'Lute Tablature Instructions in Italy: A Survey of the Regole from 1507 to 1759', in Victor A. Coelho (ed.), Performance on Lute, Guitar, and Vihuela: Historical Practice and Modern Interpretation, Cambridge: Cambridge University Press, ppages 16{u2013}46. -- chapter 14 Klaus Wolfgang Niemöller (2003), 'Deutsche Musiktheorie im 16. Jahrhundert: Geistes- und institutionsgeschichtliche Grundlagen', in Deutsche Musiktheorie des 15. bis 17. Jahrhunderts. 1. Von Paumann bis Calvisius, Darmstadt: Wissenschaftliche Buchgesellschaft, ppages 69{u2013}98. -- chapter 15 Jessie Ann Owens (2010), 'You Can Tell a Book by Its Cover: Reflections on Format in English Music -- chapter 16 Philippe Vendrix (1997), 'La diffusion de textes théoriques français à la renaissance', in Axel Beer, Kristina Pfarr and Wolfgang Ruf (eds), Festschrift Christoph-Hellmut Mahling zum 65. Geburtstag, Tutzing: Hans Schneider, ppages 1453{u2013}62. -- chapter 17 Tom R. Ward (1990), 'Music and Music Theory in the Universities of Central Europe during the Fifteenth Century', in Angelo Pompilio, Donatella Restani, Lorenzo Bianconi and F. Alberto Gallo (eds), Trasmissione e recezione delle forme di culture musicale: Atti del XIV congress della Societá Internazionale di Musicologia, Bologna, 1987, Turin: Edizioni di Torino, ppages 49{u2013}57. -- chapter 18 David R.M. Irving (2009), 'The Dissemination and Use of European Music Books in Early Modern Asia', Early Music History, 28, ppages 39{u2013}59.

Cristle Collins Judd

[Book]

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